Out of public sight for over a hundred years, the Livre de caricatures tant bonnes que mauvaises is a remarkable work. This collection of comic and satirical drawings was created by a Parisian luxury embroiderer, Charles-Germain de Saint-Aubin, at a time of rigid press censorship to entertain a small group of family and friends. For today's reader the Livreprovides not only a series of richly imaginative and varied drawings, but also a fascinating and intriguing commentary on pre-Revolutionary Paris. In this first comprehensive study of the Livre de caricatures, which includes over 190 illustrations, an international team of scholars investigates the motivations and operations behind the making of the book, and the many facets of Parisian life that it illuminates. Embracing politics and religion, theatre, fashion and connoisseurship, and the court of Versailles and the Parisian streets, the scope of the Livre is immense. The work's unique quality is evident in its humour - whimsical, fantastical, challengingly allusive, but not without a sharp political edge when targeting clerics, the court and Louis XV's mistress, Madame de Pompadour. Known within the Saint-Aubin family as the Livre de culs, the Livre delights in the transgression of social convention and the keen deflation of vanity and pretence. Contributors explore this irreverent image of eighteenth-century Paris in all its glory. In today's world, the visual satire of the Livre de Caricatures continues to resonate, instruct and entertain.

Based on extensive research, Naomi Lawson Jacobs and Emily Richardson have collected prophetic and transformative narratives of experience, shared directly by disabled people who have rarely been enabled to speak in Christian books about disability. By centering disabled Christians' own stories, this book calls for churches to move from a care-based approach to disability, to one that is focused on justice, equality and access to churches for disabled Christians.